PIRANESI GIOVANNI BATTISTA, Arco di Settimo Severo e Caracalla nel Foro Boario, 1748 sculture The etchings often originated as

The etchings often originated as frontispieces or illustrations for volumes

off-text plate for Dernières Œuvres de Matisse for Verve 35-36

Perfect condition

forming a “V” that frames the face and the crown of thorns

Created by the artist in 1964 for the Cahiers d'Art XXe Siècle editions

PIRANESI GIOVANNI BATTISTA, Arco di Settimo Severo e Caracalla nel Foro Boario, 1748 sculture The etchings often originated asSplendid proof in the first state of two. Printed in the 18th century. Perfect condition, with wide margins all around. From the series Various Views of Ancient and Modern Rome, printed between 1745 and 1748.