KŌRIN FURUYA, Kōrin-style Patterns n. 20, 1897 sculture so named for the fruit

so named for the fruit that appears during that time

tavola fuori testo per Dernières Œuvres de Matisse per Verve 35-36

pubblicazioni

printed on Hahnemühle Rag Bright White paper in a total of 30 copies

In perfect condition with a margin of about 2 mm all around in addition to the copper imprint

KŌRIN FURUYA, Kōrin-style Patterns n. 20, 1897 sculture so named for the fruitStunning proof with excellent colors, in the first edition. Printed on paper from Japan during the Meiji era (18681912). In exceptional condition, with untrimmed margins all around. Bibliography J. T. Carpenter, Designing Nature: The Rinpa Aesthetic in Japanese Art, The Metropolitan Museum of Art, 2012, p. 111 J. Hillier, The Art of the Japanese Book, London: Sothebys, 1987 A. Jackson (ed.), Kimono: The Art and Evolution of Japanese Fashion, London: